c. 1600–50 · Tarot de Paris — its own 17th-c. Parisian pattern (Italian-suited)

Tarot de Paris — Anonymous (BnF, c. 1600–1650)

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At a glance

An anonymous early Parisian tarot (BnF, c. 1600–1650) held at the Bibliothèque nationale de France and free to view on Gallica (ark:/12148/btv1b105109624) — the unsigned companion to our Jean Noblet (c. 1650) and Jacques Viéville decks. Unlike the outlier Viéville, this pack sits squarely in the C-order (Marseille) mainstream: a fully named French Tarot de Marseille, every trump captioned on the card in period spelling (LE BATELEVR, LA IVSTICE, ATREMPANCE…). 78 woodcut cards, hand-coloured, shown here from the BnF scan.

Why it matters

With Noblet and Viéville, it shows that the named, numbered Marseille pattern was already standardised in Paris a century before Nicolas Conver's 1760 Marseille — the printed standard our library also holds. It is a clean witness to the C-order line in its Parisian form.

What you're looking at

Honesty notes

The maker is anonymous, but the BnF catalogue dates it 1600–1650 (shelfmark RESERVE KH-34, titled Jeu de tarot parisien anonyme à enseignes italiennes). It is one of several early Parisian tarots — note it is not the famous idiosyncratic Tarot de Paris of the same years, but a captioned, mainstream C-order pack. The trumps are named from their printed captions; suit cards are shown in BnF folio order and pip ranks are assigned by position (corrections welcome).

Game, not divination

A playing pack; the cartomantic readings attached to the Marseille came later, with the 18th-century occult revival.

Sources

BnF / Gallica (ark:/12148/btv1b105109624), Source gallica.bnf.fr / Bibliothèque nationale de France; Thierry Depaulis on the Parisian cartiers; Dummett, The Game of Tarot.

RESEARCH NOTE (2026-06-13) — identity correction owed. The BnF object cited here (ark:/12148/btv1b105109624) is the idiosyncratic Tarot de Paris, a pattern of its OWN — NOT a mainstream C-order Tarot de Marseille. Its cards carry broken period captions (LAN PEREUT, LER MITE, A TREMPANCE, LES TOILLES, LA FOUDRE), figural animal Aces, and a Hell-mouth at XVI (La Foudre, not La Maison-Dieu). The deck name/description and trump titles need a reframe; confidence medium (Gallica scan not read card-by-card). See research/decks/paris-anonymous-tarot.md.

EDITORIAL CALL (2026-06-13): reframed as the Tarot de Paris, a distinct pattern of its own (NOT a mainstream Marseille). Per-card trump CAPTIONS (the broken period spellings, Hell-mouth Foudre at XVI, figural animal Aces) still need card-by-card correction from the Gallica scan — deferred to a session with image access.

Where the pictures come from: who holds this deck's pictures, how sharp they are and what their rights allow: Sources: Tarot de Paris.

The cards (78)

78 of 78 card images are not shown on this page (scan from the BnF (Gallica), free for non-commercial reuse only). Each card links to where its holder shows it; the card viewer and recursive.eco still open the deck.

Sources and credits

Bibliothèque nationale de France, Paris (the 'Tarot de Paris', early 17th c.)

Research dossier: research/decks/paris-anonymous-tarot.md. Data: tarot/paris-anonymous-tarot/grammar.json, CC-BY-SA-4.0. Images keep their own licences (hover a card for its credit).