1491
Sola Busca Tarot — The First Fully-Engraved Deck (N. Italy, c. 1491)
A deck that breaks every later rule. Its 22 trumps are named Roman, biblical and legendary figures — Nero, Cato, Nimrod, Nebuchadnezzar — not the Fool/Popess/Death sequence the Marseille made standard. And it is the earliest tarot whose 56 minor cards are all scenically illustrated.
At a glance
Engraved on copper around 1491 in northern Italy (Ferrara/Venice circle), the Sola Busca is the oldest complete deck to survive as a full set of prints, and the only Renaissance tarot whose pip cards carry figural scenes rather than rows of suit-signs. Four centuries later those scenic minors became a documented model for Pamela Colman Smith, whose 1909 Rider-Waite-Smith minors are the reason most modern decks illustrate every card.
Read it in its own tradition
This is a sui-generis deck: do not force Marseille or RWS meanings onto its trumps. The figures form a humanist honour-roll of antiquity, not a moral allegory of Fool-to-World. The minors are read here by suit, rank and element; the trumps by who they depict.
Images: Pinacoteca di Brera exemplar, public domain. Curated by PlayfulProcess, CC-BY-SA-4.0.
RESEARCH NOTE (2026-06-13). The per-card 'Scene' texts on the 56 minors are honest GENERIC placeholders (the Sola Busca minors are fully pictorial, unlike pip packs) — they do NOT describe each engraving's actual content, which is not yet documented here; they should be replaced from primary scans (BM / Brera), never invented. Corroborated downstream link: the Sola Busca Three of Swords and Ten of Swords prefigure Pamela Colman Smith's RWS designs (Smith studied the 1907 BM photographs). Several court cards carry named classical figures (e.g. Amone, Olinpia, Natanabo; an Alexander cycle) absent from this grammar. See research/decks/sola-busca-tarot.md.
Where the pictures come from: who holds this deck's pictures, how sharp they are and what their rights allow: Sources: Sola Busca.
The cards (78)
0 — Mato
1 — Panfilio
2 — Postumio
3 — Lenpio
4 — Mario
5 — Catulo
6 — Sesto
7 — Deo Tauro
8 — Nerone
9 — Falco
10 — Venturio
11 — Tulio
12 — Carbone
13 — Catone
14 — Bocho
15 — Olivo
16 — Metelo
17 — Ipeo
18 — Lentulo
19 — Sabino
20 — Nenbroto
21 — Nabuchodenasor
Ace of Cups
Two of Cups
Three of Cups
Four of Cups
Five of Cups
Six of Cups
Seven of Cups
Eight of Cups
Nine of Cups
Ten of Cups
Page of Cups
Knight of Cups
Queen of Cups
King of Cups
Ace of Coins
Two of Coins
Three of Coins
Four of Coins
Five of Coins
Six of Coins
Seven of Coins
Eight of Coins
Nine of Coins
Ten of Coins
Page of Coins
Knight of Coins
Queen of Coins
King of Coins
Ace of Batons
Two of Batons
Three of Batons
Four of Batons
Five of Batons
Six of Batons
Seven of Batons
Eight of Batons
Nine of Batons
Ten of Batons
Page of Batons
Knight of Batons
Queen of Batons
King of Batons
Ace of Swords
Two of Swords
Three of Swords
Four of Swords
Five of Swords
Six of Swords
Seven of Swords
Eight of Swords
Nine of Swords
Ten of Swords
Page of Swords
Knight of Swords
Queen of Swords
King of Swords
Sources and credits
Pinacoteca di Brera, Milan (the hand-coloured set); engraved impressions in the British Museum and elsewhere
- Anonymous N. Italian engraver ("Master of the Sola Busca") (c. 1491): Original copperplate engravings; the named hand is unidentified (Ferrara/Venice circle).
- Pinacoteca di Brera, Milan (2009→): Holds the unique hand-coloured exemplar (bought by the Italian Ministry of Culture in 2009 for €800,000; the 1907 date is the Busca-Serbelloni photographs given to the British Museum); images public domain.
Research dossier: research/decks/sola-busca-tarot.md. Data: tarot/sola-busca-tarot/grammar.json, CC-BY-SA-4.0. Images keep their own licences (hover a card for its credit).